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Blue Wave 03:31
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Harbor 04:03
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Working 05:33
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Abuse 03:45
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Ricky 04:55
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about

The Harbor CD. A highly regarded fan favorite. Produced by Prof. Dick Neal. Award winning songs surrounded by moving string arrangements, fine grooves and masterful playing that will float you across the secret blue and deep. "A few listens to Harbor might have you wondering if all the praise is high enough."-Frank Gutch Jr, Folk and Music Exchange Online.

Plain and simple, this disc moves me. Highly recommended - one of my most-listened to discs of 2006 and, so far, of 2007."-Jim Colbert, The Folk Show, WPSU-FM, Pennsylvania

"Berardo writes simply with careful images and great tunes. I want to sing his songs. It is so difficult to write simply and well. Berardo does both. It also helps that he can certainly play his guitar. Harbor is lovely and well worth the listen. I love it. "-Jane Emaon-The Muses Muse Magazine Online.

credits

released April 18, 2006

Produced by Dick Neal for Prime Numbers, Stratford, CT
Recorded at Circle Sesssions, CT
Engineered by Pete Szymanski
mixed by Dick Neal
April 2005 to August 2005
Mastered by Gene Paul at DB Plus, NYC Oct 2005
photography :Kim Mitchell
Graphic Design: Chris Brown
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The Campaign Trail String Band:
Chris Berardo-Percussion, box drum kit, Vocals
Steve Combs-Bass
Liam Bailey-Resonator guitar, Banjo, Piano, Electric Guitar
Dick Neal-Electric Guitar, Banjo, pedal steel, wurlitzer
Larry Deming-Violins, Viola
Susan Spaulding-French Horn on Harbor
Marc Douglas Berardo-Acoustic Guitar and Vocals
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All songs (C) 2006 Marc Douglas Berardo/ Overhead Map Music/ ASCAP

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Marc Douglas Berardo Westerly, Rhode Island

Marc Douglas Berardo combines songs that mine lessons gleaned from real life situations presence that uses humor and storytelling to lead an audience into an almost spiritual experience. It’s brings to mind James Taylor, Jimmy Buffett, Guy Clark or Steely Dan with a hint of Mark Twain or Hunter S.Thompson. It’s a night of laughter and emotion that gives the audience a renewed sense of possibility. ... more

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